Sunday, January 25, 2015
I promised to talk about guest blogs this week and it’s a good topic for writers. It is a good way to expand your platform by allowing you to reach new readers. Other writers’ fans can quickly become your fans too. You might also make some new and valuable friends in the writer community. And, it is a chance to actually write some cool, fun stuff.
Placing content in other people’s blogs is usually pretty easy. Most bloggers, like me, are happy to let someone else fill that space once in a while. But for it to be valuable to you, you need to select which blog you want to contribute to. Choosing targets should be easy. You want to be visible on the blogs your natural audience reads. That usually means two things: either blogs that review books and interview authors or the blogs of other writers whose work is similar to yours. A simple email to the blogger is usually all it takes.
But before you send that request you need to have something to offer, so build your guest blog package. The objective is to offer bloggers a variety content that will interest their readers – content designed to introduce strangers to your writing.
Start with a short bio and high resolution photo of yourself. Keep your bio to about 100 words, because this isn’t really about you. It’s all about your book, or if you have more than one published book, your most recent.
You’ll also want to include a hi-res picture of your cover, and a synopsis, which again should be short.
Almost everyone who accepts a guest blog will use the bio, cover and synopsis. Then you want to offer some stuff they can choose or not. I suggest a write-up of why you wrote this book, its theme or its major message. Interviews are good too. You do all the work by supplying both the questions and the answers. An interview of yourself can be fun. An interview of your protagonist, or even the villain in your book, can be even more fun. Or a short (400 words or less) article on your genre could be good.
Bloggers may choose one or more of these pieces, or none, depending on how their own blog generally runs. Options make your offer more appealing. They tempt the blogger to choose among the options, rather than choosing between yes and no. And if you are successful, your guest blogs won’t all be the same.
BTW, I’m one of those bloggers who welcomes guest posts from other authors. So if you want to find new readers and expand your platform – be my guest.
Saturday, January 17, 2015
My recent blogs about author platforms have started some good conversation, and raised a couple questions. In particular, one of my readers asked about other options. Traci McDonald specifically said, “If you can suggest a good way to get reviews and guest posts on blogs, let me know.” Well I do have a few ideas and since Traci has a new novel coming out this spring I thought I would share them.
Reviews come in different forms. Mainstream reviews – the ones you get from Publisher’s Weekly, The Washington Post or the Library Journal - are the most sought-after and hardest to get. Major newspapers and magazines receive hundreds of Advance Reader Copies every week. To have a chance at all of getting reviewed in these venues, have the sent by your publisher. The ARC should be labeled that way or with the words “unedited galley.” The reviewer should receive it at least 120 days before the release date, and it should be accompanied by your marketing plan.
These reviewers are not trying to do anyone a favor. They enhance their publications by posting helpful advice for readers. Why the time frame? They want their reviews to appear just before the book hits bookstores. Why favor big publishers? They want to review books their readers will see in bookstores. And with hundreds to choose from each book has only a slim chance of success. That is NOT to say you should give up. We at Intrigue Publishing send ARCs of each new release to a couple dozen major reviewers. The odds are long but the payoff is well worth the gamble.
Reader reviews are easier to get and, while they may not carry as much weight they can help people decide to buy your book. You get them by asking. At book signings as every person who buys your book to please write a review. Or you hold a giveaway, and ask everyone who got a copy of your book for free to post a review on Amazon or Goodreads where readers are influenced by their peers. Or you seek out the top Amazon reviewers – these people are more influential than you might think – and send them copies of your book. This can become a numbers game. Some small percentage of the people you ask will write a review, so the more you ask the more you’ll get.
Don’t forget that subset of comments called blurbs. These come from other writers in your genre or experts in a related field. These folks can be true opinion leaders. These you get by meeting people and asking them, individually, if they will do you a favor by reading your book and writing a short, honest comment about it. Most of these people are flattered to be asked and happy to oblige if they turn out to like your work. If they turn you down it is usually because they simply don’t have time to read your book. Be gracious and thank them anyway. Who knows, they may have time for your next book.
Just remember that reader reviews and blurbs will not automatically appear in any high-circulation venue. When you get them you’ll want to push them through social media, send them to bookstores and radio hosts, and get the best printed on your book.
We’ll save guest blogs for next week.
Sunday, January 11, 2015
Last week we talked about building an author platform – a worthy goal going into 2015. I asserted that to build a strong platform you need to do those things that get you in front of your reader. It should be obvious that the way to find readers is to go to where they are. Where’s that? Well, for millions of readers that would be Goodreads and Library Thing. If you don’t have a strong presence in those locations you’re missing out. Like Twitter, it pays to be on these sites every day, and you can attract the attention of a lot of readers with a raffle or giveaway.
Book signings and readings are great ways to draw an audience and personally, I enjoy the personal contact with readers at these events. Sadly, this is getting harder as the number of bookstores shrinks and other event options narrow. The answer may be to use a little imagination. I’ve seen successful author events in restaurants, card stores, gyms, gift shops and even grocery stores. If you can figure a way that your book ties in to the venue you can make it work. Just remember that they’ve probably never done it before so you’ll have to educate the owners.
Non-bookstores probably can’t order your books so you should offer to bring them yourself and sell on consignment. Give an interesting talk if it seems appropriate, but if the store has a lot of traffic, just get a table and good signage and do a book signing. Just be sure to bring a sign-up sheet and collect email addresses for your mailing list. You should offer some sort of incentive for those emails: a free ebook download, an exclusive short story or maybe entry in a contest for a more substantial prize.
It may surprise you that your web site is an effective tool for platform building. Despite the apparent take-over of social media, every published author should have a well-designed web site. And that web site needs to have a mailing list sign-up button, because the best way to make your web site work for you is to use it to capture emails. This ties in to another useful platform building tool – an e-newsletter. A newsletter can put you in front of your readers several times a year. Many writers send one every week or every 2 weeks. I send one out the week before any event I’m going to be part of. I keep my formula simple; a cute opening remark, my latest writing news, details of the upcoming event, and something of value to my readers that is NOT self-promotional. That last bit is usually a review of someone else’s book or a web site I found particularly useful or fun. Whatever you choose as a format, be sure to include some helpful or insightful information that will help readers remember you. (and yes, you should hurry to my website - www.ascamacho.com – and sign up for my newsletter.)
Now I can’t promise that any of the ideas I’ve offered will make your book a bestseller. I just wanted to make the point that “building a platform” is another way of saying “Get in front of your reader as often as possible.” It’s really up to you to figure out how to reach YOUR individual reader. So try some of these ideas, and let us know what has worked for you.
Saturday, January 3, 2015
As a writer, my new year’s goals tend toward pages written. And looking at a new year from a publisher’s perspective it’s easy to focus on numerical goals or detailed planned activities. But it’s important to step back and look at broader objectives and try to see the big picture. The big goal, for most publishers will surely be: sell more books. When we look for the big picture ways to accomplish that I think building our platform is at the top of that list.
Publishers want authors with platforms because their books are easier to sell. But if you’re a genre fiction writer having a platform is tricky because what it consists of varies. So for my authors – and my readers here – I will offer a very simple definition. Think of it this way: for your platform it’s not who you know but who knows you.
In the past, the fiction market often relied on reviews either from professional reviewers or from readers. That has gotten tougher with the flood of books hitting the market today. However, if you have fans built up, have a good website and are active on social media, you actually have a platform. That puts you ahead of most of the writers out there.
To build a stronger platform, you need to do those things that get you in front of your reader. You might consider running ads but readers don't seem to favor them. What they DO appear to like is content that they find naturally, when it’s not pushed on them. That would include blog posts including guest blogging and of course, social media.
Our Marketing Director asserts that a writer does not need to work every social media platform out there. The writer does need to find the ones they’re comfortable with and work them consistently. By consistently I mean daily. If you can spend hours engaging with people that's great, but there’s nothing wrong with a plan to post one thing, engage and move on. Or you can do just a few effective things. Remember, being busy and being productive are not the same. Let me put it this way: if you spend an hour reading your friends’ feeds without posting or commenting, you wasted an hour of valuable marketing time.
Blogging is also a valuable platform building tool, but is often misunderstood. It is, after all, your own voice. Again, it’s great if you can blog every day. If not, twice a week is fine. I only manage it once a week, but I try to be consistent. I think it’s better to have something to say once a week than to post trash every day. I’ve seen blogs where the writer is writing a lot of stuff but it’s not stuff worth reading. You need to write something helpful. If you can’t then write something insightful. If not, at least be engaging. Remember, you can write about your characters, or write as one of your characters. Post an excerpt of your novel. Talk about your writing process, or how you do research. If your writers are readers too, talk about the industry. If you run short of ideas, just wander back through my blog.
Next week I’ll share a couple more ideas for platform building.
Sunday, December 28, 2014
We in the Intrigue Publishing family have a lot to be proud of as we look back on 2014. We started the year with the release of our first sensual romance short story, Chocolate, Cheese and Choices, by Juli Monroe.
Intrigue Publishing made a fine showing at the Love is Murder Con in Chicago, where CA Verstraete gathered a Lovey Award for best paranormal/sci-fi/horror novel with Girl Z: My Life as a Teenage Zombie.
We followed that up with a collection of Hannibal Jones mysteries in each of the next three months. Publishing short stories for the Kindle gives readers a chance to try our authors for just 99 cents.
In July we published The Girl They Sold to the Moon by ChrisStevenson in paperback and ebook versions. This Young Adult dystopian science fiction novel has gathered some great reviews, which is no surprise since he is a past Finalist in the L. Ron Hubbard Writers of the Future Contest and took 1rst place in the Entranced novel writing competition.
August brought our first urban drama, Let Me Just Say This by B. SwanginWebster. The author is in great demand at book clubs, in part due to her popular online radio show We Be Swanginon on Listen Vision Live. Webster also featured several of our authors on her show through the year.
We released Beyond Blue in September, introducing my new detective series. I’m told it is a fitting companion to my Hannibal Jones series.
The second annual Creatures,Crimes & Creativity Con in October proved to be the party of the year. We enjoyed three days of panels, presentations and book signings, and people are still talking about John Gilstrap’s stirring keynote speech.
In November we offered two new Hannibal Jones short story e-books including a Christmas-themed collection. We also faced a new, unexpected challenge. We discovered that an unrelated individual was publishing self-help and medical advice pamphlets under the name Intrigue Publishing. After some legal research and a cease-and-desist letter we put that threat to our brand behind us.
We ended the year with a bang! We celebrated Annie Rose Alexander’s Retribution at a fine dinner book release event which gave the Intrigue team a chance to meet and greet Annie’s wonderful family and friends. That was quickly followed by the ebook crime short story Death of a Sandman by Ed Teja. And the Intrigue team traveled to New York to attend the release party for Jeff Markowitz’s Death and White Diamonds at the Mysterious Bookshop. Jeff’s novel quickly hit the list of Amazon Hot New Releases.
Saturday, December 20, 2014
A couple weeks ago I told you some of the things avid readers could give their favorite writers. In this season of giving, I'd like you to consider a few more ideas that will help those authors have a merry Christmas.
Last time I mentioned making a video, but you don’t have to go that far to show your chosen writer love. He or she would appreciate you posting pictures on your social media pages just as much. It’s always cool to see a reader holding up a copy of one of my books. So take that selfie with the novel you loved. Ask someone to take your picture while you’re reading the book. If you take it on vacation with you, post some location shots. That’s a gift every author would like.
We writers know that getting published does not mean our book will appear on the shelf in the local bookstore. And a fan may not be able to give their favorite author that gift, but it is worth a try. The managers of bookstores, especially independent stores, do listen to their customers. If just a few readers tell a store manager that they had to buy a book on Amazon because it wasn’t in their store she may well take the hint and decide to stock the book.
An in with a local reading group would be a much welcomed gift. The book clubs are a great way to get the word out about a book. They are also hard to reach and usually choose their books months in advance. So if you’re a member of a book club, or know about one, let them know about books you love and then put them in touch with the author.
Readers love to be the topic of conversation, so every time you mention a book you loved on social media, you’re giving its author a great gift. After you post on Facebook and Twitter, don’t forget Library Thing and Goodreads.
Most authors love to get emails or messages through social media, but how about offering more than praise? Ask the author for a stack of bookmarks. Then leave them where they’ll be appreciated: bookstores and libraries. Put them on the counter, or slip them into books of the same genre. Every writer I know would love this kind of local exposure.
Keep track of your favorite author’s travels and if they’re going to be in your area for a reading or signing you can offer them a great gift. You could distribute flyers. Or you could call your local newspaper and ask them to write a story. Such a request from a local reader is much more effective than a call from a publicist.
BTW, making a beloved book a gift is also a gift to the writer. So if you just finished a great read, buy a copy for a friend. If you REALLY want to boost the author, remind the person you give his book to that they should review it when they finish it.
And if gifting to a friend is nice to the author, gifting to a library is even better. So donate a book. Then contact the writer. Let them know where readers can check out their book at a local library.
Then tell them Merry Christmas, because local exposure is a wonderful gift for any writer.
Sunday, December 14, 2014
Today’s guest blogger, Dana King, works at an undisclosed location. It’s not classified; he’s just not going to tell you. Dana’s writing has appeared in New Mystery Reader, Powder Burn Flash, A Twist of Noir, Mysterical-E, and the original Thuglit web site. He also has several novels out including his latest, The Stuff That Dreams Are Made of: A Nick Forte Mystery. Dana stopped in to tell us why he writes what he writes…
First, thank you to Austin for allowing me to share his blog space today. He suggested I write about how I chose crime fiction, specifically private eye fiction, as my preferred genre.
I’ve read PI stories ever since I started with The Hardy Boys and Encyclopedia Brown. When I got serious about writing myself, crime was the obvious choice for a simple reason: it was easy to tell when the story should end. I’d read literary and mainstream fiction and, too often, otherwise excellent books seemed to peter out toward the end until they reminded me of a former music teacher’s description of Impressionism: music that gets sicker and sicker until it dies. (John Irving is a notable exception. The endings of A Widow For One Year and A Prayer For Owen Meany are damn near perfect.)
But crime stories, well, they ended when the case was solved. Sure, there would be some housekeeping to tidy up, but the thread of the story was the crime, its investigation and resolution. Other things could go on, but those touchstones were always there.
It was the private eye aspect that allowed me to go deeper. First person has been the default mode of telling PI stories pretty much since their inception, and describing how the detective saw and interpreted things allowed me to do a lot with character. The more I wrote in the genre, the more, and better, PI fiction I read. Raymond Chandler, Dashiell Hammett, Ross Macdonald, John D. Macdonald, Robert B. Parker, Robert Crais, and others taught me there were things the PI could get into cops never bothered with. Cops have to close cases, and they have more than they can handle. PIs—at least fictional ones—can worry about closure. (I’ve written about this in more detail on my blog, One Bite at a Time.)
I chose wisely. Declan Hughes gave an impassioned speech at Bouchercon in 2008, arguing that the PI story, when done well, is the highest form of crime fiction. Listening to him, I felt proud to write PIs. Last year I joined the Private Eye Writers of America, and attended the banquet at Bouchercon in Long Beach. The camaraderie there was obvious, a group that felt strongly about the genre and were delighted to share their enthusiasm with like minds. To have my novel, A Small Sacrifice, nominated for the Best Indie award, was truly an honor. Never mind that I didn’t win.
I write procedurals now, too, but I’m always on the alert for an idea that can work as a PI story. Some say the genre is dying; I don’t buy it. Why not? As his core, even the modern, flawed PI meets the standard set by Raymond Chandler in his essay, “The Simple Art of Murder,” distilled to its essence:
If there were enough like him, I think the world would be a very safe place to live in, and yet not too dull to be worth living in.
Seems to me to be a worthy spot for a writer to stake out.